This list includes every major artist, composer, or writer mentioned in this course; numbers in red show the classes in which they appear. In general, I have chosen color over black-and-white for the thumbnails, paintings over photographs, and self-portraits over depictions by others. However, sometimes none of these are available, so many of the portaits for older figures are conjectural. Similarly, where a date is not known, I have arbitrarily chosen something in the given range, to avoid complication when sorting. rb.
GO TO: [A–C] [D–F] [G–K] [L–N] [O–R] [S–U] [V–Z] | |
![]() |
Adolphe Adam, 1803–56. French composer. Adam wrote 39 operas, mainly in the comic vein, but is probably best known for his score to the ballet Giselle (1841). 7, 8. |
![]() |
Jean-Baptiste le Rond d'Alembert, 1717–83. French polymath. Alembert "was a French mathematician, mechanician, physicist, philosopher, and music theorist. Until 1759 he was, together with Denis Diderot, a co-editor of the Encyclopédie. D'Alembert's formula for obtaining solutions to the wave equation is named after him. The wave equation is sometimes referred to as d'Alembert's equation, and the fundamental theorem of algebra is named after d'Alembert in French." [preamble to Wikipedia article] 5. |
![]() |
Johann Sebastian Bach, 1685–1750. German composer. The towering genius of German music in the earlier 18th century, Bach was most famous in his time as an organist and choirmaster, most notably at the Thomaskirche in Leipzig. His work includes two Passions, numerous cantatas, and keyboard and orchestral works that codify and extend the possibilities of counterpoint in his time. 5. |
![]() |
George Balanchine, 1904–83. Georgian-American choreographer. After work with Diaghilev's Ballets Russes, including the pioneering neo-classical Apollon musagète (1928, with Stravinsky) and The Prodigal Son (1929, with Prokofiev), he moved to America, where he eventually co-founded the New York City Ballet, remaining its artistic director for 35 years. One of the most influential choreographers of the century, he is especially noted for his abstract works with minimal decor but the greatest musicality. 1. |
![]() |
Frédéric Auguste Bartholdi, 1834–1904. French sculptor. Bartholdi was born in Colmar, Alsace, and did much of his work in that region. He is best known, however, for his Liberty Enlightening the World, which he developed following a suggestion by Édouard de Laboulaye, and which was installed in New York Harbor in 1866. 1. |
![]() |
Charles Baudelaire, 1821–67. French poet. Baudelaire is credited with coining the term "modernism," and is held to be the first modernist poet. His masterpiece, the Les fleurs du mal (The Flowers of Evil), which hovers between sensual verse and an exotic kind of prose, was prosecuted as an offence to public morals, and the author was fined. Baudelaire was nonethless a great influence on the next generation of poets, like Verlaine, Rimbaud, and Mallarmé. 7. |
![]() |
Berenguer de Palou, –1207. Catalan troubadour. Although details are sketchy, it appears that Berenguer was born in Rousillon, straddling France and Spain. He was almost certainly a knight, and his 12 surviving cansos all deal with the theme of courtly love; 8 of them also have their original music. 2. |
![]() |
Hector Berlioz, 1803–69. French composer, conductor, and critic. The leading French composer of the Romantic era, Berlioz was a master of orchestration and dramatic effect. A fervent admirer of Shakespeare (and a Shakespearean actress, Harriet Smithson), his works often have a strong literary quality that can obscure their musical craftsmanship. He was unable to get a full performance of his operatic masterpice, The Trojans (1863), but it has come into its own in recent years. 7. |
![]() |
Gilles Binchois, 1400–60. Franco-Flemish composer. Binchois was praised by his contemporaries in the same breath as Dufay, though his fame has declined somewhat. He is especially memorable as a melodist, with a gift for the long expressive line in both his secular and sacred vocal work. [He may or may not be the subject of this portrait by Jan van Eyck.] 2. |
![]() |
François Boucher, 1703–70. French painter. His many works, which virtually define the French rococo style, include several elegantly erotic treatments of mythological subjects, such as his Jupiter and Callisto, but also genre scenes, erotica, and even landscapes. 4. |
![]() |
August Bournonville, 1805–79. Danish choreographer. The son of an immigrant French dancer, Bournonville trained partly in Paris and partly in Copenhagen, where he spent the whole of his subsequent career. Not only was the the choreographer of over 50 works, including La sylphide (1836) and Napoli (1842), he institiuted a rigorous system of training which preserved their style intact to the present day—a legacy unmatched by any other ballet tradition. 8. |
![]() |
Benjamin Britten, 1913–76. English composer. Arguably the leading opera composer of the mid-20th century, Britten's major operas have included Peter Grimes (1945), Billy Budd (1951), Gloriana (1953), A Midsummer Night's Dream (1960), and Death in Venice (1973), plus many stage works for smaller forces. He was equally active as a composer of instrumental music and text settings, and latterly as a conductor and accompanist. 3. |
![]() |
Capability Brown, 1716–83. English landscape architect. More than any other, Lancelot "Capability" Brown is associated with the natural landscape movement that transformed the design of gardens and parks in 18th-century England, and rapidly spread abroad. He was appointed Head Gardener at Stowe at the age of 26, and soon developed a practice that took him to Blenheim, Chatsworth, Harewood, and Kew, among many other estates. He also designed the houses in several of his parks. His nickname comes from his practice of assessing the "capabilities" of a site before accepting a commission. 4. |
![]() |
Filippo Brunelleschi, 1377–1446. Florentine architect. One of the founding fathers of the Renaissance, he came to prominence as a sculptor in the competition for the Florence Baptistery doors, eventually won by Ghiberti. But it was as an architect that he made his biggest impression on the city, with the churches of San Lorenzo and Santo Spirito, and his crowning achievement, the dome of Florence Cathedral. 2. |
![]() |
George Gordon, Lord Byron, 1788–1824. English poet. Byron, an hereditary peer, was one of the leading poets of the Romantic age, and the one whose passions and unconventional lifestyle most clearly defined the Romantic Hero, especially among his admirers in France, Germany, and Russia. His long poems Don Juan and Childe Harold's Pilgrimage are epic in scope and show his characteristic combination of action and wit. He died in Greece at the age of 36, fighting in the Greek War of Independence. 3, 7. |
![]() |
Robert Campin, 1375–1444. Netherlandish painter. Campin has gradually emerged from scholarly shadows as the probable painter of a handful of works previously attributed to a conjectural "Master of Flémalle." In spite of the still-uncertain identification of many works associated with him, there is no doubt of his status as a key figure in the transition of Northern art from Gothic traditions to modernity. [The portrait here is by him, but probably not of him.] 2. |
![]() |
François-René de Chateaubriand, 1768–1848. French novelist and statesman. Though not much remembered today, Chateaubriand dominated the French literary scene at the start of the 19th century, and predates many characteristic features of later Romanticism. Coming from an aristocratic family in Brittany, he eventually went to America to find himself, and spent several months living with indigenous tribes. This experience fueled his stories René and Atala, which attempt to reconcile supposed "primitive" values with his strong Christian faith. From 1814 to 1829, he held various ambassadorships. 7. |
![]() |
Claude Gellée (Claude Lorrain), 1604–82. French landscape painter, largely active in Rome. His Arcadian and harbor scenes, principles of composition, and use of light earned him the reputation as the greatest of all landscape painters, and his influence especially in France, Britain, and America lasted until the mid-19th century, not only in art but also landscape gardening. 4. |
![]() |
John Constable, 1776–1837. English painter. Even more than his contemporary Turner, Constable was the leading English landscape painter of the 19th century. Living in East Anglia, he was influenced by the Dutch landscapists painting very similar country. He made numerous outdoor sketches of clouds and trees, with free and brilliant handling of paint, but reverted to a more sober style in his paintings for exhibition. 4. |
![]() |
James Fenimore Cooper, 1789–1851. American novelist. Cooper grew up in Cooperstown NY, a community founded by his father. After being expelled from Yale, he served first as a merchant seaman and then in the US Navy. The reputation of his large literary output, once much admired both at home and abroad, now rests mainly on his five Leatherstocking Tales, especially The Last of the Mohicans (1826). 6. |
![]() |
John Singleton Copley, 1738–1819. American painter. Born probably in Boston, Copley established himself as a portrait painter before moving permanently to London at the age of 36. He cemented his reputation with a number of history paintings such as Brook Watson and the Shark (1778), The Death of Chatham (1781), and several Revolutionary War scenes shown from the British perspective. 6. |
![]() |
Jean Coralli, 1779–1854. French choreographer and composer. The son of an Italian actor in Paris, Coralli trained as a dancer and enjoyed an early career in Vienna, Venice, and Milan, as a performer and choreographer. The pinnacle of his career came on his return to the Paris Opera, where he created the quintessential Romantic ballet Giselle in 1841, working with Jules Perrot on the choreography and Adolphe Adam on the music, both younger men than himself. 8. |
![]() |
Gustave Courbet, 1819–77. French painter. A fiercely realist painter from the provinces who stood proudly outside the academic tradition, Courbet was nonetheless one of the most powerful figures in 19th-century French art. His vast Burial at Ornans was a succès de scandale at the Salon of 1850, and established him as the leader of the Realist movement. 7. |
GO TO: [A–C] [D–F] [G–K] [L–N] [O–R] [S–U] [V–Z] | |
![]() |
Jacques-Louis David, 1748–1825. French painter. The leading Neoclassical artist of his day, David replaced rococo frivolities with stern history paintings with strong moral content. He was a dedicated supporter of the Revolution and politically active as a Deputy. He was imprisoned briefly after the fall of Robespierre, but resurfaced as principal painter to Napoleon. Through his many pupils, he influenced French salon style for a generation. 6. |
![]() |
Eugène Delacroix, 1798–1863. French painter. The leading French painter of the Romantic movement, he is known for his brilliant Rubensian color and his dramatic compositions. Especially in the first half of his career, these included political themes, such as The Massacre at Chios (1824) and Liberty Leading the People (1830), as well as subjects from Romantic literature. He also visited North Africa, and was constantly fascinated by the exotic. 1, 2, 7. |
![]() |
Serge Diaghilev, 1872–1929. Russian impresario. He founded the Ballets Russes in 1909. His company dominated the Parisian scene for at least a decade, and gave opportunities to such figures as the dancer Vaslav Nijinsky, the choreographer George Balanchine, the designer Léon Bakst, and the composer Igor Stravinsky. 8. |
![]() |
Denis Diderot, 1713–84. French philosopher, writer, and critic. One of the key figures of the Age of Reason, his chief fame is as co-founder (with d'Alembert) and editor of the Encyclopédie, which brought together scientific knowledge and Enlightenment thought. 5. |
![]() |
Gaetano Donizetti, 1797–1848. Italian composer. One of the leading composers of historical and romantic operas in the bel canto era, including a trilogy featuring Queen Elizabeth I, plus comedies in both Italian and French, Donizetti nonetheless began his career with a mythological scene, Pygmalion. 8. |
![]() |
Gustave Doré, 1832–83. French printmaker. The most celebrated illustrator of the mid-19th century, his fame rests on the romanticism and drama of his treatment of subjects ranging from the Bible to Dante's Inferno and Coleridge's Ancient Mariner. 7. |
![]() |
Sergei Dreznin, 1955– . Russian musician. Born and trained in Moscow, Dreznin has lived in Vienna, New York, Paris, and Berlin. He has divided his time between careers as concert pianist and composer. His largest project to date has been the epic musical Catherine the Great (2006). 5. |
![]() |
Achille Duchêne, 1866–1947. French landscape architect. "Duchêne was a French garden designer who worked in the grand manner established by André Le Nôtre, [making him the] designer most in demand among high French society at the turn of the 20th century. [His practice]was responsible for some six thousand gardens in France and worldwide." [Wikipedia] 4. |
![]() |
Guillaume Dufay, 1397–1474. Franco-Flemish composer. Dufay (also spelled Du Fay and other variants) was born near Brussels. Writing in most genres and traveling widely, he was regarded as the leading composer of his time, composing for example a motet for the dedication of Brunelleschi's dome of Florence Cathedral. [The portait comes from his tomb.] 2. |
![]() |
Gustave Eiffel, 1832–1923. French engineer. Eiffel's parents took their name from the Eifel Mountains in Western Germany from which they had come, but Gustave had an entirely French education, partly supervised by his uncle, a scientist and inventor. His early engineering work building bridges for railway companies in France and Beligium enabled him to found his own company, which was responsible for his two most famous projects: the inner structure of The Statue of Liberty (1886) and the Eiffel Tower built for the Paris Exposition of 1889. 1. |
![]() |
Michel Fokine, 1880–1942. Russian choreographer. Born into a prosperous family in Saint Petersburg, Fokine trained as a dancer, but also considered careers in painting and music. This made him a natural fit for Sergei Diaghilev, who engaged him in 1909 as resident choreographer for his Ballets Russes, whose work combined many arts; his work for them included The Firebird (1910) and Petrushka (1912), both with music by Stravinsky. He later emigrated to New York, and founded the American Ballet Company. 8. |
![]() |
Benjamin Franklin, 1696–1790. American polymath. Printer, journalist, inventor, philanthropist, politician, man of science, and founding father of this country, there seems little point attempting a capsule bio fo Franklin—except perhaps to say that he too was an artist, as writer of the Poor Richard's Almanack and even occasional composer. 6. |
![]() |
Caspar David Friedrich, 1774–1840. German painter. The greatest German Romantic painter and a truly original visionary, he conceived images based on unconventional views of nature with strong, albeit enigmatic, moral implications. 7. |
GO TO: [A–C] [D–F] [G–K] [L–N] [O–R] [S–U] [V–Z] | |
![]() |
Théophile Gautier, 1811–72. French writer. After his family moved from the Pyrenees to Paris, Gautier grew up among many of the figures who would become part of the artistic scene of the 30s and 40s. He published his first book of poetry in 1830, and soon became known also as a critic. He was a passionate balletomane, and the groundbreaking 1841 ballet Giselle was based on his scenario. 7, 8. |
![]() |
Théodore Géricault, 1791–1824. French painter. Géricault's monumental Raft of the Medusa (1819) was a seminal work in French art, treating a contemporary political scandal with searing humanity coupled with a monumentality that owes much to Michelangelo. His many studies for this work, including corpses and severed limbs, his portraits of the insane, and above all his numerous paintings of horses, made him a key figure in French Romanticism until his death from a riding accident at the age of 32. 6, 7. |
![]() |
Edward German, 1862–1936. English composer. Born German Edward Jones to a Welsh family in the West of England, he took his given names as a nom de plume when he began to achieve success as a composer of incidental music for the theater and light operas in the Gilbert-and-Sullivan vein, such as Merrie England (1902). 3. |
![]() |
Domenico Ghirlandaio, 1449–94. Florentine painter. In the same generation as Botticelli, Pollaiuolo, and Verrocchio, Ghirlandaio achieved success through his ability to execute large-scale subjects that often included portraits of his wealthy patrons. He was also a remarkably sensitive in his independent portraits, including the famous Old Man and his Grandson in the Louvre. Michelangelo was one of his pupils. 2. |
![]() |
Anne-Louis Girodet, 1767–1824. French painter. Girodet was a student of Jacques-Louis David's, and like him spent several years in Italy. His manner is generally more Romantic, however, with a particular interest in evocative lighting effects. In adulthood, he styles himself Girodet-Trioson, in honor of the man who adopted him (and may well have been his natural father). 7. |
![]() |
Charles Gounod, 1818–93. French composer. Gounod was the leading French opera composer in the third quarter of the 19th century, achieving fame with Faust and Roméo et Juliette His Philémon et Baucis, which came in between these in 1860, is a lighter opéra comique based on Ovid's story. 1, 8. |
![]() |
Antoine-Jean Baron Gros, 1771–1835. French painter. After studying with David in Paris, Gros moved to Italy. His 1796 painting of Napoleon at Arcole, done while he was there, won him the patronage of the future Emperor, and he traveled with him in many of his subsequent campaigns, besides establishing himself as a portraitist back in Paris. He was ennobled in 1824. 6. |
![]() |
Thomas Hardy, 1840–1928. English novelist and poet. Although thinking of himself primarily as a poet, Hardy is most often remembered as the author of pastoral realist novels set in "Wessex," his name for a large swath of Southwest England, the country that he loved. While Far From the Madding Crowd ends happily, more of his novels have an elegaic pessimism that is found also in his verse. 3. |
![]() |
Victor Hugo, 1802–85. French writer and politician. The son of a Napoleonic general, Hugo determined to "become Chateaubriand or nothing." He succeeded, whether as a poet (from 1822), a novelist (The Hunchback of Notre Dame, 1831, and Les Miserables, 1862), and a statesman (senator from 1842). His funeral attracted over two million people. 7. |
![]() |
Josquin des Prez, 1440–1521. Franco-Flemish composer. Josquin is considered one of the leading composers in the High Renaissance, and not just in the Franco-Flemish school. Almost all his works are vocal, mostly sacred. He is credited with breaking away from the tradition of long melismatic lines, writing instead in short imitative phrases that are closely expressive of the text. [This portrait of a musician by Leonardo da Vinci has not definitely been identified as Josquin, although both were in Milan at the same time.] 2. |
![]() |
Princess Natalia Ivanovna Kourakina, 1766–1831. Russian composer. Kourakina (née Golovina) became the most prolific Russian composer in the era of Catherine the Great. A singer and harpist herself, she wrote mainly songs for salon performance, but these were published and distributed widely. After her husband quarreled with Tsar Paul I in 1815, she moved to Paris, where she hosted a salon of her own. 5. |
GO TO: [A–C] [D–F] [G–K] [L–N] [O–R] [S–U] [V–Z] | |
![]() |
Alphonse de Lamartine, 1790–1869. French poet and statesman. Lamartine achieved instant fame as a poet with his Poetic Meditations of 1820, a collection of lyric verse in a personal vein; his fame quickly spread to America and abroad. First elected a Deputy in 1833, he was an active Republican, becoming Foreign Minister in 1848 and delivering a celebrated speech in defense of the tricolor flag. 7. |
![]() |
Emma Lazarus, 1849–87. American poet. Born into a prominent New York Jewish family, Emma was privately educated and became fluent in several languages, publishing translationd of Goethe, Heine, and others. She is best known for her poem The New Colossus, published in 1883 to raise money for completion of the Statue of Liberty, a cause dear to her because of her volunteer work providing aid to Jewish refugees. 1. |
![]() |
Charles Le Brun, 1619–90. French painter and sculptor. One of the geniuses behind Versailles, his Bassin de Apollon fountain shows Apollo (as Louis XIV) drawing the chariot of the Sun out of the waters. 4. |
![]() |
Frederick Lord Leighton, 1830–96. English painter. President of the Royal Academy, and the first painter to be given a peerage, he is one of the dominant figures in Victorian art. He is best known for his colorful and dynamic paintings of Greek mythology. 7. |
![]() |
André Le Nôtre, 1613–1700. French landscape architect. Le Nôtre worked with Louis Le Vau at Vaux-le-Vicomte and was engaged by Louis XIV to achieve similar marvels of garden design on an even larger scale at Versailles. A pioneer in the field, his work was emulated at other great houses around Europe. 4. |
![]() |
Leonardo da Vinci, 1452–1519. Italian painter and polymath. With Michelangelo and Raphael, one of the triumvirate of artistic geniuses that crown the High Renaissance. He trained in Florence with the painter Andrea Verrocchio before moving to the court of Ludovico Sforza in Milan. He spent the last years of his life at the court of François I in France. The naturalism and luminosity of his painting, and his effects of sfumato (or modeling as if by smoke), were widely influential. It is his notebooks, however, that are the best testament to the range of his genius, containing remarkable observations of the natural world, and mechanical inventions centuries before their time. 1. |
![]() |
Emanuel Leutze, 1816–68. German-American painter. Leutze was born in Germany, came to America with his family at age 9, and began his career here. But he returned to Düsseldorf from 1841 to 1859, and it was there that he painted his iconic Washington Crossing the Delaware, modeled in part by other American painters who had come over to study with him. 1. |
![]() |
Louis Le Vau, 1612–70. French architect. As principal architect to Louis XIV, Le Vau designed major additions to the palaces of Vincennes, the Louvre, and most notable Versailles. He is also noted for the moated chateau of Vaux-le-Vicomte and the Collège des Quatre Nations, now the Institut de France, across from the Louvre. 4. |
![]() |
Limbourg Brothers (Herman, Paul, Johan), 1385–1416. Netherlandish manuscript illuminators. Little is known of their earlier lives, but all three worked for Philip the Bold of Burgundy, and his brother Jean, Duc de Berry, for whom they produced the Très riches heures. [I have no reason to suppose that these are self-portraits, but we have no other!] 2. |
![]() |
Jean Baptiste Lully, 1632–87. French composer of Italian origin. Lully became master of music to Louis XIV, writing music in all genres, but most especially operas and ballets. His operas include Alceste (1675), Atys (1676), Persée (1682), and Armide (1686). For most of his career, no new music could be performed in France without his approval. 1. |
![]() |
Édouard Manet, 1832–83. French painter. Manet is arguably the greatest French painter in the third quarter of the 19th century. Though primarily a realist, he was influenced by older artists such as Titian and Velasquez. He was admired by the young Impressionists, became friends with Monet, and produced a number of works in their style, but he never exhibited with them, preferring to retain his own status in the official Salons. 7. |
![]() |
Hans Memling, 1430–94. Netherlandish painter. Based in Bruges, and probably a pupil of Rogier van der Weyden, he developed a sweeter more balanced version of his style which brought him great success. Also spelled "Memlinc." 2. |
![]() |
Giacomo Meyerbeer, 1791–1864. German composer working in France. Although born and trained in Germany, Meyerbeer began his prolific opera career in Italy, falling under the spell of the serious operas of Rossini. He moved to Paris in 1826 and began a series of operas that essentially defined the notion of Grand Opera, among them Robert le Diable (1831), Les Huguenots (1836), Le Prophète (1849), and L'Africaine (1865). 8. |
![]() |
Richard Mique, 1728–94. French architect. Mique was a relatively conventional architect in the neo-classical style, but he is best remembered for the rustic hameau he created for Marie Antoinette in the grounds of Versailles. Unfortunately his devotion to the Queen led to his execution in the last days of the Reign of Terror. 4. |
![]() |
Edward Moran, 1862–1935. American painter. Born in Lancashire, Moran emigrated with his family to Maryland in 1844. After working as apprentice to a painter in Philadelphia, he went to England to study at the Royal Academy, then returned to America, where he developed a successful career as a marine painter, working in New York and for a while in Paris. 1. |
![]() |
Wolfgang Amadeus Mozart, 1756–91. Austrian composer. A child prodigy as both performer and composer, Mozart produced an extraordinary body of work in all genres over a relatively short life. He wrote the greatest of his many operas after moving to Vienna: three collaborations with Lorenzo da Ponte—The Marriage of Figaro (1786), Don Giovanni (1787), and Così fan tutte (1790)—framed by two German Singspiels: The Abduction from the Seraglio (1782) and The Magic Flute (1791). 5. |
![]() |
Henry Newbolt, 1862–1938. English writer and lawyer. After studying at Clifton College and Oxford, Newbolt became a lawyer and practised as a barrister until 1899. He also worked for the government, producing the influential Newbolt Report on the teaching of English in 1921. He was knighted in 1915. He is best known, however, as the author of the once-popular patriotic poems "Vitai Lampada" and "Drake's Drum." 3. |
GO TO: [A–C] [D–F] [G–K] [L–N] [O–R] [S–U] [V–Z] | |
![]() |
Johannes Ockeghem, 1430–1497. Franco-Flemish composer. Writing both sacred and secular vocal music, he was one of the leading musicians of the late 15th century. 2. |
![]() |
Jacques Offenbach, 1819–80. German-French composer. The son of a cantor, Offenbach took the name of the German town in which he was born. After studying at the Paris Conservatoire, he began to write operettas, composing over 90 in the course of a long and wildly successful career. He is also known for his unfinished grand opera The Tales of Hoffmann. 8. |
![]() |
Edward Penny, 1714–91. British painter. Although a founding member of the Royal Academy in 1768, portraitist and history painter Penny is now little known, except perhaps for his Death of General Wolfe (1763), which preceded Benjamin West's iconic version by several years. 6. |
![]() |
Jules Perrot, 1810–92. French choreographer. The Lyon-born Perrot began his career as the dancing partner of Marie Taglioni. When she broke the partnership, fearing he might outshine her, he turned his attentions to Carlotta Grisi, and (with the older Jean Coralli) created the 1841 ballet Giselle around her. He went on to create Pas de Quatre in 1845, bringing Taglioni, Grisi, and two other ballerinas together. He ended his career as ballet master in Saint Petersburg. 8. |
![]() |
Paolo Persico, 1729–1796. Italian sculptor. Persico is best known as the leading collaborator on the sculpture groups of Venus and Adonis and Diana and Actaeon at the Palace of Caserta. The image is obviously by Persico, not of him! 4. |
![]() |
Marius Petipa, 1819–1910. French-Russian choreographer. After a career as a dancer in France and Spain, Petipa accepted a position with the Imperial Theatre in St. Petersburg, and remained in Russia the rest of his life. His work as the choreographer of The Sleeping Beauty, The Nutcracker, and the 1895 revival of Swan Lake made him one of the most influential choreographers of all time. 8. |
![]() |
Henri Philippoteaux, 1815–84. French painter. Specializing in military scenes, mostly well in the past, Philippoteux was noted for his large-scale canvases containing numerous figures, including Napoleon's defeat at Waterloo and Lamartine's defense of the French flag. With his son Paul, he painted the huge diorama of the Battle of Gettysburg. 7. |
![]() |
Thomas Phillips, 1770–1845. English painter. Among the leading portraitists in the first decades of the 19th century, Phillips painted artistic figures such as Blake, Byron, and Dibdin, and scientific ones such as Banks, Davy, and Faraday, in addition to the usual complement of politicians and aristocrats. 7. |
![]() |
Germain Pilon, 1525–90. French sculptor. After training with his father (also a sculptor) Pilon began working in an Italian-influenced style. Some of his best works are funerary sculptures, including several monuments in the Abbey of Saint Denis, commissioned by Cathérine des Médicis, his principal benefactor. 1. |
![]() |
Christine de Pizan, 1364–1430. Italian-born French poet. Born near Venice, Christine moved to Paris as a child, when her father became astrologer to the king. She married a court official, then had to support herself by her writing after he died. She wrote poetry and prose in most genres, and is credited as being the first female professional writer of modern times. 2. |
![]() |
Edgar Allan Poe, 1809–49. American writer. Poe was known for his poetry and especially for his short stories which developed the American Gothic tradition of the macabre and virtually invented the literary mystery. He was also the American author of his time most in tune with European practice, especially in France, where he was very popular. He was, however, continually wrestling with drug addiction, and died at the age of 40. 7. |
![]() |
Alexander Pope, 1688–1744. English poet. Pope is considered the leading English poet of the Augustan era, "known for his satirical and discursive poetry including The Rape of the Lock, The Dunciad, and An Essay on Criticism, and for his translations of Homer" [Wikipedia]. He suffered all his life from a form of tuberculosis that twisted his spine, stunted his growth, and affected his eyesight. 4. |
![]() |
Nicolas Poussin, 1594–1665. French painter, largely active in Rome. One of the preeminent French painters of his century, and its outstanding classicist, his work includes historical, religious, and mythological subjects, some focusing on the figures in the manner of Raphael, other set in classical landscapes similar to those of Claude Lorrain. 4. |
![]() |
Michael Praetorius, 1571–1621. German composer. Though a polyglot and educated in theology as well as music, he began his career as a church organist and then as court musician to the Duke of Brunswick. The Duke's successor, however, encouraged him to produce religious music in what was now the Lutheran tradition. His published collections of dance music, sacred music, and theoretical writings tell us much of what we know of the music of his time. 1. |
![]() |
Francesco Primaticcio, 1504–70. Italian artist. After training with Giuliano Romano in his native Bologna, Primaticcio worked for a while at the Palazzo del Tè in Mantua, before joining Rosso Fiorentino at Fontainebleau in 1532. After Rosso's death in 1540, he took charge of all Fontainebleau projects, which included paintings in his own Mannerist style and various sculptural and architectural projects, such as Cathérine de Médicis' monument at Saint Denis. 1. |
![]() |
Alexander Pushkin, 1799–1837. Russian poet. While in exile because of verses critical of the Tsar he wrote his most celebrated play Boris Godunov. His masterpiece is the novel in verse Eugene Onegin, serialized between 1825 and 1832. While his range is extraordinary and an inspiration to later Russian composers, he is celebrated as much for restoring the Russian language (as opposed to French) as the vehicle for artistic expression. 5. |
![]() |
Guillaume-Joseph Roques, 1757–47. French painter. A neoclassical painter based in Toulouse, Roques was an early teacher of Ingres. Aside from a number of religious paintings, he is most interesting for painting a Death of Marat in the same year as David's but incorporating his own variations. 6. |
![]() |
Gioacchino Rossini, 1792–1868. Italian composer. Rossini's fame rests on his 39 operas, especially the comedies, all written while he was still in his thirties. In 1829, fter writing Guillaume Tell, one of the foundation stones of French grand opéra, he essentially retired, settling in Paris, and writing only occasional pieces plus his masterpieces of sacred music, the Staba Mater of 1842 and Petite Messe solennelle of 1864. 8. |
![]() |
Rosso Fiorentino, 1494–1540. Italian painter. "The Redhead from Florence" is the nickname of Giovanni Battista di Jacopo, an Italian Mannerist painter who executed the celebrated lute-playing cherub in the Uffizi, and a lot of religious work. He was brought to Fontainebleau in 1530 by François I, where he executed the murals of the grand Gallery, along with Francesco Primaticcio, thus essentially founding the "First School of Fontainebleau." 1. |
![]() |
Jean-Jacques Rousseau, 1712–78. French-Swiss philosopher, writer, and composer. A leading figure in Enlightenment thought, he advocated the values of natural simplicity in his later work, heralding the transition to the sensibility and subjectivity of the Romantics. His work as a composer culminated in the opea Le devin du village ("The Village Soothsayer") in 1752, after which he stopped working in the theatre. 4. |
![]() |
Peter Paul Rubens, 1577–1640. Flemish painter and diplomat. One of the giants of baroque art, Rubens developed the style of Titian into a powerful rhetoric applied equally to sacred and profane subjects, and exerted enormous influence in Spain, England, and France as well as in his native Flanders, continued in the work of his many pupils. His position at so many courts also made him invaluable as a diplomat. 1. |
GO TO: [A–C] [D–F] [G–K] [L–N] [O–R] [S–U] [V–Z] | |
![]() |
Sir Walter Scott, 1771–1832. Scottish poet and novelist. Scott's historical novels, all set in his native Scotland, spoke to the Romantic spirit and were immensely popular throughout Europe, inspiring many adaptations such as Donizetti's Lucia di Lammermoor. 7. |
![]() |
William Shakespeare, 1564–1616. English poet and playwright. With almost 40 plays, 154 sonnets, and many longer poems, Shakespeare dominates English literature of his time, and world literature for ever after. To attempt a thumbnail biography would be both unnecessary and impossible. 3. |
![]() |
Claus Sluter, 1340–1405. Dutch sculptor. Sluter was born in Haarlem, but joined the court of Philip the Bold of Burgundy in 1380 and remained there all his life. His most important works were monuments for the Duke: the gateway of the Chartreuse de Champmol outside Dijon, the Well of Moses in the cloister, and the mourning figures around the Duke's tomb. 2. |
![]() |
Igor Stravinsky, 1882–1971. Russian-American composer. Starting as an enfant terrible in Paris with the ballets he wrote for Serge Diaghilev, he gradually pared back his resources, developing a neo-classical style between about 1930 and 1955, but eventually turning his back on tonality. 1, 8. |
![]() |
Filippo Taglioni, 1777–1871. Italian choreographer. Taglioni was an Italian dancer who performed at the Paris Opéra before taking up an appointment as balletmaster with the Royal Swedish Ballet. There, he married a Swedish singer who bore him two children, Marie and Paul, both of whom became successful dancers. His name is best remembered in conjunction with Marie, who became the first superstar ballerina under his training and management, and for whom he choreographed the first defining Romantic ballet, La sylphide, in 1832. 8. |
![]() |
Pyotr Ilyich Tchaikovsky, 1840–93. Russian composer. Tchaikovsky was the first Russian composer to gain an international reputation, in part because his Russian voice was allied to a thorough training in Western parctice. His symphonies, tone-poems, and ballets have become staples of their repertoire, but his dozen operas are less well-known, except for Eugene Onegin (1879) and The Queen of Spades (1890), both based on texts by Pushkin. 5. |
![]() |
Theobald of Navarre, 1201–51. French troubadour. Theobald was Count of Champagne from birth and King of Navarre from 1234. He initiated the Barons' Crusade, was famous as a trouvère, and was the first Frenchman to rule Navarre. [Wikipedia] 2. |
![]() |
John Trumbull, 1756–1843. American painter. Trumbull fought in the American War of Independence, and founded his career on depictions of battles and other key historical events. He spent several years in London working with Benjamin West, and was even imprisoned there for several months for his part in the Revolution. 6. |
![]() |
Joseph Mallord William Turner, 1775–1851. English painter. Rivaled only by Constable, Turner was the dominant British landscape painter of the first half of the 19th century, he started his career with topographical views intended for engraving, and ended with works whose subjects were dissolved in veils of paint and light. His Fighting Temeraire (1838) was recently voted the Greatest British Picture in a BBC poll. 3. |
GO TO: [A–C] [D–F] [G–K] [L–N] [O–R] [S–U] [V–Z] | |
![]() |
Sir John Vanbrugh, 1664–1726. English architect and playwright. A radical in thought and politics, he wrote two outspoken Restoration plays, The Relapse and The Provoked Wife, that were shocking in their explicitness and defence of women's rights. His later career as an architect was equally radical, creating the short-lived style of English Baroque in buildings such as Blenheim Palace and Castle Howard. He was imprisoned as a spy in France, 1688–92. 4. |
![]() |
Hugo van der Goes, 1435–1482. Netherlandish painter. The major figure of the second half of the 15th century in the Netherlands, he is known for his psychological observation and the richness of his backgrounds, as in the Portinari Altarpiece which introduced his style to Florence. [Identificaton of this as a self-portrait is conjectural.] 2. |
![]() |
Jan van Eyck, 1390–1441. Netherlandish painter. The most celebrated and influential northern painter in the earlier 15th century, responsible for developing a style of oil painting capable of magnificent detail and effects of light. His major work, the altarpiece in Ghent Cathedral, is recorded to have been begun by his perhaps even greater brother Hubert. He was a renowned portraitist, including the enigmatic Arnolfini Marriage in London, and the supposed self-portrait seen here. 2. |
![]() |
Horace Vernet, 1789–1863. French painter. A contemporary and friend of Géricault and Delacroix, he specialized in literary, exotic, and increasingly contemporary subjects, known for their free handling and striking color. 6. |
![]() |
Élisabeth Vigée Le Brun, 1755–1842. French painter. Specializing in portraiture, Vigée-Lebrun had charm and wit to match her talent, which won her many influential patrons, most notably Queen Marie Antoinette. She fled France at the Revolution and lived in London, Italy, Vienna, and St Petersburg, where she was part of the court of Catherine the Great. Her memoirs are a vital testament of her times and her own remarkable strengths as a woman. 5. |
![]() |
Voltaire (François-Marie Arouet), 1694–1778. French Enlightenment writer, historian, and philosopher. Voltaire was "famous for his wit, his criticism of the Church, and his advocacy of freedom of speech, freedom of religion, and separation of church and state" (Wikipedia). Among his prolific output in almost every literary form, he is now best known for his satirical novel Candide (1758), a critique of the Optimism of Leibniz. 5. |
![]() |
François Watteau, 1758–1823. French painter. François Louis Joseph Watteau was the great nephew of the rococo master Jean-Antoine Watteau. Like his father (also a painter), he was known as "Watteau of Lille." He painted mainly historical and military subjects. 6. |
![]() |
Carl Maria von Weber, 1786–1826. German opera composer. Although he also wrote instrumental music, Weber's work to establish a German national opera is crucial, reaching its full flowering with Der Freischütz in 1821. 8. |
![]() |
Benjamin West, 1738–1820. American painter working mainly in England. Although he set up as a portraitist, it was as the painter of historical and mythological subjects that he made his name. A founding member of the Royal Academy in 1768, he became its president in 1792. His London studio became a Mecca for American artists studying abroad. 6. |
![]() |
Rogier van der Weyden, 1399–1464. Netherlandish painter. Very little is known of Rogier's life, except that he was highly successful in his time, with his works exported to Italy and Spain, and commissioned by princes both in the Netherlands and abroad. His extraordinary detail and emotionally intense compositions now place him firmly with Jan van Eyck and Robert Campin in the trinity of early Netherlandish masters. The image is a detail from his Saint Luke Drawing the Virgin, assumed to be a self-portrait. 2. |
![]() |
William of Sens , –1180. French architect. William is thought to have been born in Sens, and was certainly involved in the building of the cathedral there. He was invited to England in 1174 to rebuild the east end of Canterbury Cathedral, which thus became the first example of Gothic architecture in England. He was injured by a fall from the scaffolding in 1177, and may have died in Canterbury. 2. |
![]() |
William Wordsworth, 1770–1850. English poet, critic, and philosopher. With the joint publication of the Lyrical Ballads with Coleridge in 1798, Wordsworth co-founded the English Romantic movement, and continued to dominate it for decades with poetry of his native Lake District and his doctrine of capturing experience direct from Nature for later use as "emotion recollected in tranquility." 3. |