1. The Magic Flute. Mozart's last-performed opera was conceived as popular entertainment from is premiere in 1790, with its fairy-tale plot, theatrical effects, vernacular dialogue, and abundant comedy. Are the same qualities that made it popular then responsible for its being the third most often produced opera over two centuries later? In the first hour, we will look at key scenes from two relatively traditional productions to find an answer. Then in the second hour, we will sample three less usual productions to see how directors have approached the task of preventing a perhaps-too-familiar opera from becoming stale.

There is no need to do any preparation in advance. But I do advise reading the handout for a synopsis of the opera and some introductory information. If you want to print it out, use the folded version if you have a two-sided printer.

 
The script, videos, and images will be posted immediately after class.

 
The list below includes trailers for all five of the productions sampled in class, so that you can remind yourselves of their flavor; these are likely to remain available indefinitely. In addition (though perhaps only for a short time), the two films and the London production by David McVicar are available complete. If you are looking for one reliable performance of The Magic Flute, I would go for the Bergman; though the oldest by far, it has retained its charm, and despite being sung in Swedish, it is the only one with English titles. rb.

FILMS
  Ingmar Bergman, 1975   * Trailer
* Complete (with English titles)
  Kenneth Branagh, 2006   * Trailer
* Complete
 
STAGE PRODUCTIONS
  David McVicar, London, 2003   * Trailer
* Act I complete
* Act II complete
* Papageno/a duet (clip shown in class)
  Julie Taymor, Met, 2006   * Trailer
  Graham Vick, Macerata, 2019   * Trailer (in Italian)

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