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11. Porgy and Bess.
Mixed heritage, muddled legacy. George Gershwin (1898–1937) described Porgy and Bess as a folk opera,
meaning that he composed music intended to sound like Black folk tunes, within the context of a traditional opera.
Opera or not, Porgy and Bess opened in a Broadway theater in 1935 and ran for 124 performances. Since then,
it has been presented in both contexts. So it is an opera or a musical? Both, probably.
Porgy began as a novel by DuBose Heyward published in 1925. The next year, he and his wife Dorothy made it into a successful Broadway play. Gershwin had approached Heyward about a collaboration earlier, but it was not until 1934 that they began work. The publishers currently require that the show be advertised as "The Gershwins’ Porgy and Bess," implying a collaboration between George and his brother Ira similar to their Broadway hits, but most of the lyrics were actually written by Heyward. Ira's contributions tend to be the Broadway-style numbers that rely on wit rather than plot development; the resultant clash of styles is one of the reasons why Porgy is so difficult to pigeonhole. rb.
There is a brief synopsis in the handout. Other resources will be posted
immediately after class.
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VIDEO LINKS
Unfotunately, the complete Porgy and Bess from the San Francisco Opera that we sampled in class is represented only by a fairly substantial trailer, though it touches on most of the scenes we saw. To give more of a sense of how Porgy plays on an opera stage, however, I have included a trailer plus several scenes from the Met 2021 production. I am not sure whether it counts as opera or musical, but I added two clips from Trevor Nunn's 1989 film, including his take on the final scene, featuring Sir Willard White, which I find unusually upbeat and inspiring
The other section relates to the 2011 Broadway adaptation—really a rewriting—by Diane Paulus. Although we only saw one scene, "Bess, you is my woman now" with Norm Lewis and Audra McDonald, there is a lot more available. Be sure to watch Stephen Sondheim's scathing letter of complaint at the end!
| PORGY AS AN OPERA | |||
| San Francisco, 2009 | Trailer (touches most scenes we saw) | ||
| Metropolitan Opera, 2021 |
Trailer Summertime (Golda Schultz) I got plenty o' nuttin' (Eric Owens) Bess, you is my woman now (ending; Angel Blue & Owens) It ain't necessarily so (Frederick Ballentine) |
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| Trevor Nunn film, 1989 |
Bess, you is my woman now
(Willard White, Cynthia Heymon) Ending scene |
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| THE DIANE PAULUS ADAPTATION | |||
| Performance clips |
A woman is a sometime thing
(Joshua Henry) Bess, you is my woman now (Norm Lewis & Audra McDonald, live) Highlights 1 Highlights 2 |
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| About the show |
PBS documentary Stephen Sondheim takes issue |
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