11. Porgy and Bess. Mixed heritage, muddled legacy. George Gershwin (1898–1937) described Porgy and Bess as a folk opera, meaning that he composed music intended to sound like Black folk tunes, within the context of a traditional opera. Opera or not, Porgy and Bess opened in a Broadway theater in 1935 and ran for 124 performances. Since then, it has been presented in both contexts. So it is an opera or a musical? Both, probably.

Porgy began as a novel by DuBose Heyward published in 1925. The next year, he and his wife Dorothy made it into a successful Broadway play. Gershwin had approached Heyward about a collaboration earlier, but it was not until 1934 that they began work. The publishers currently require that the show be advertised as "The Gershwins’ Porgy and Bess," implying a collaboration between George and his brother Ira similar to their Broadway hits, but most of the lyrics were actually written by Heyward. Ira's contributions tend to be the Broadway-style numbers that rely on wit rather than plot development; the resultant clash of styles is one of the reasons why Porgy is so difficult to pigeonhole. rb.

 
There is a brief synopsis in the handout. Other resources will be posted immediately after class.
 

 
VIDEO LINKS

Unfotunately, the complete Porgy and Bess from the San Francisco Opera that we sampled in class is represented only by a fairly substantial trailer, though it touches on most of the scenes we saw. To give more of a sense of how Porgy plays on an opera stage, however, I have included a trailer plus several scenes from the Met 2021 production. I am not sure whether it counts as opera or musical, but I added two clips from Trevor Nunn's 1989 film, including his take on the final scene, featuring Sir Willard White, which I find unusually upbeat and inspiring

The other section relates to the 2011 Broadway adaptation—really a rewriting—by Diane Paulus. Although we only saw one scene, "Bess, you is my woman now" with Norm Lewis and Audra McDonald, there is a lot more available. Be sure to watch Stephen Sondheim's scathing letter of complaint at the end!

PORGY AS AN OPERA
  San Francisco, 2009   Trailer (touches most scenes we saw)
  Metropolitan Opera, 2021   Trailer
Summertime (Golda Schultz)
I got plenty o' nuttin' (Eric Owens)
Bess, you is my woman now (ending; Angel Blue & Owens)
It ain't necessarily so (Frederick Ballentine)
  Trevor Nunn film, 1989   Bess, you is my woman now (Willard White, Cynthia Heymon)
Ending scene
THE DIANE PAULUS ADAPTATION
  Performance clips   A woman is a sometime thing (Joshua Henry)
Bess, you is my woman now (Norm Lewis & Audra McDonald, live)
Highlights 1
Highlights 2
  About the show   PBS documentary
Stephen Sondheim takes issue

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